From July 11th to 13th, the highly anticipated domestic masterpiece “The End of the Ming Dynasty: The Feather of the Abyss” landed on Bilibili World
2025 (BW2025) Game Carnival. As the debut of Bilibili Games and 505Games after the official announcement of the joint release in Chinese mainland, at this carnival, “The End of the Ming Dynasty: Feather of the Abyss” detonated the enthusiasm of all players with an immersive national style booth design of nearly 200 square meters and a new trial activity, and also officially kicked off the exciting prelude to the official landing and release on July 24.
Restore Anyue Mumen Temple, the cosplayer is sassy and moving
Stepping into the “Late Ming Dynasty: The Feather of the Abyss” exhibition area located in Hall 2.1 of the National Convention and Exhibition Center, an ancient temple archway with a height of more than 5 meters is the first to come into view, which is a partial restoration of the scene of Anyue Mumen Temple in Sichuan, Sichuan Anyue Mumen Temple with the architectural wisdom and historical precipitation of “seeing the big in the small”, has become a living fossil for the study of Ming Dynasty architecture, stone carving art and Zen culture, known as “the ultimate aesthetic miracle of ancient Chinese architecture”, and this historical monument is also integrated into it in the game, which players can experience in the first chapter. In addition, the official of the exhibition also invited Yuan Tianxizi and Wang Xue, two cosplayers, to restore and display the deluxe version of the suit [Wanruo Youlong] and [Embroidered Robe], which were unanimously praised by the players on the scene and queued up to take a group photo.
The blade of the feathered blade is out of its sheath, and the fierce battle is difficult to the leader
At this BW Carnival, the trial matrix composed of dozens of computers is the soul of the entire “Late Ming Dynasty: Feather of the Abyss” booth. As the last offline trial experience before the game is launched, “The End of the Ming Dynasty: Feather of the Abyss” opens the third chapter of the game content experience and a new boss challenge for players. The three-dimensional level full of soul hides mysteries, players fight bravely in the bird-man village in the dense forest, and will also visit the famous Shu Zhenwu Temple, and finally return to the old house of the Bai family to face the sad memory of the heroine.
During this trial process, the hardcore challenge of the new boss sparked heated discussions among the player community. During the three days of BW’s opening, countless hardcore players came to admire it, hoping to successfully open up the trial level, and the fiery atmosphere ignited the entire booth, and whenever a player successfully completed the challenge, there would be a burst of exclamation and admiration from the onlookers. Many testers said that the game has reached the expected level of souls-type games in terms of operating feel, level design and hit feedback, and the on-site experience time is limited, and they are very much looking forward to the subsequent launch of the immersive experience.
Explore the troubled times at the end of the Ming Dynasty and search for the ancient Shu land
“Late Ming Dynasty: Feather of Abyssal Void” is a national style soul-like action role-playing game based on historical relics such as Sanxingdui and Jinsha ruins of ancient Shu civilization in China, combined with historical mythological allusions recorded in “Classic of Mountains and Seas”, “Huayang Guozhi” and “Chronicles of the King of Shu”. Based on the real historical background, “The End of the Ming Dynasty: Feather of the Abyss” builds a beautiful parallel virtual world. During the game, players will fully experience the fun of exploration, discover powerful combat skills, modify weapons to strengthen combat styles, and use ancient relics to fight abominable monsters. The red mercury enhancement mechanism is combined with a variety of weapon systems and dynamic skill combinations to build a deep-core souls combat experience for players.
In addition, “Late Ming Dynasty: Feather of the Abyss” has a large number of ancient buildings, Buddha statue stone carvings, relief murals, etc. with sufficient high quality and realistic restoration, and shows these vivid history and culture to all players through the game. Laser scanning technology is also widely used in the design of traditional Chinese weapons, clothing materials and prop materials, providing players with a highly detailed visual experience.
On July 24, “Late Ming Dynasty: Feather of the Abyss” will be officially launched, and the game is now open for pre-order, players can unlock exclusive content in advance through pre-order, and uncover the truth behind the chaos on the land of ancient Shu at the end of the Ming Dynasty with the heroine “Impermanence”!
